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SABAH TRADITIONAL MUSIC & MUSICAL INSTRUMENTS | Bungkau | Sompoton | Tongunggak | Gong | Kulintangan | Traditional Harmony
Each ethnic group has its own distinct musical forms although several of the major instruments are common to all. Each piece of instrument is usually lovingly crafted, cut, shaped and tested. Distinction are often found in different combinations of instruments, varying dance styles, tempos and tunings. There are also certain instruments found only within the limits of an individual community and not shared with other communities. Local instrumental music is often associated with dance. It also functions as background music during certain celebrations. Some instruments are commonly used by individuals for personal relaxation. Oral Tradition There is no traditional system for notating Sabah's traditional music, nor are the words for songs written down. All the music and songs are passed down by tradition from generation to generation. Both men and women perform, but certain instruments are traditionally associated with each sex. For instance, men generally play the large knobbed gongs and drums, while women play the kulintangan and the flat gongs. Types of instruments Most Sabah musical instruments are made from natural products. For example the tongLungon, turali, suling (or flute), sompoton and togunggak are made of bamboo. Others like the gambus, kompang and gendang are made of goat skin. The gongs and kulintangan are made of brass. The sundatang is made from a soft light wood and resembles an elongated guitar with three giman strings. The musical instruments in Sabah are classed according to chordophones (tonghungon,
garnbus, sundatang or gagayan), aerophone (suling - flute, turali or tunhi - nose-flute,
bunglau Jew's harp sompoton - mouth organ), idiophones (togunggak, gongs, kulintangan) and
membranophone (kompang, gendang or tontog). Source : Sabah's Heritage:A Brief Introduction to Sabah's History & History, Sabah Museum, Kota Kinabalu, 1992. |
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